You hold in your mind an entire tale. Millions of facts and
details sit there, waiting to be written down. You want to share all this with
your readers, who know absolutely nothing about your tale before they begin to
read. What do you tell them first? How can you introduce them to all you have to
say in a way that will grab their interest?
Openings create a work’s
theme music and provide the first information readers receive. They should be
wonderfully interesting and should raise questions in your reader’s minds. Your
first few paragraphs should have readers wondering, Who/what is this about?
Where is it? How did this situation come about? When? What will happen next,
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Once you’ve aroused their curiosity, they’ll keep reading. To decide what those
questions should be, there are questions you must ask yourself. The first is,
what do I want to say? When you can answer that in one sentence, you understand
your plot.
Your next question, how shall
I say It?, depends on knowing who your readers are and what effect you want your
writings to have on them: If your intention is to inform -- to tell readers how
to make great widgets -- you’ll want them to feel confident they can learn to do
it. If you begin with something that inspires their belief in their ability,
they’re likely to read on. If you intend to persuade through your writing,
decide first whether your approach should be informative or questioning. This
will depend on your relationship to your readers (older/younger, more/less
knowledgeable,
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chosen tone.
If your object is to entertain, you need a grabber opening.
Is there a dramatic moment in your story that would make an irresistible
opening,
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you start there and fill in earlier stuff with flashbacks later on? What tone do
you want to set? Suppose you’re writing something historical. You might open
with Daniel Boone standing on a mountaintop in 1800, surveying open prairies
stretching as far as the eye could see. You could then write a chronological
account from 1800 to today, when the view from that same spot reveals teeming
highways and urban sprawl. If your opening scene took place at dusk, with
nature’s creatures settling down for the day, it would contrast nicely with an
ending that showed today’s electric lights shimmering like fairy dust as afar as
the eye could see. No matter what your objective, you’ll need a riveting
beginning for your work.
Your fiction, history, or how-to book must
compete with the 60-second commercial. If readers aren’t captured by your first
few paragraphs they’re likely to put down your work and reach for the remote
control. Try out several openings. Ask yourself:
1. which of them will
interest my readers?
2. which creates a scene or sets a tone that best
launches what I want to say,
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3. which speaks best to the readers I
want to say it to?
Think of your story as a kind of strip tease. You
hold the entire body of the work in your head, but reveal it only a little at a
time. The revelation of your work begins with setting the tone (like the music
the audience hears before the stripper comes on stage). Then you introduce your
Main Character (the stripper) who begins some kind of action. A stripper doesn’t
rush on stage and tear off all his/her clothes within seconds. The pleasure of
the event is in its slow unfolding. In writing as well as stripping,
Link, anticipation is a large part of your audience’s
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A good opening will launch your reader’s anticipation.
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First of all, it start with your mental attitude
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In the past we were told that your
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If
the contend is boring and self serving who do you think will actually read
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Find out what people in your area want and then give it to
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