| Nicki Minaj’s Grammy Awards performance
— complete with a mock exorcism, a mock confession and dancing monks —
caused its intended cultural buzz. Some believe it is a transparent
publicity stunt. Others believe it is the sign of a collapsing
civilization. We should stop all this bickering. There is no reason it
can’t be both.
The principle at stake is simple. If art is capable of elevating
human beings, it is also capable of degrading human beings. It can’t be
important when it inspires and trivial when it corrupts. And Minaj is
corrupt. She was dabbling in fashionable bigotry before a wide and
impressionable audience.
G.K. Chesterton provided a good description of decadence. “There
comes an hour in the afternoon,” he said, “when a child is tired of
‘pretending.’ It is then that he torments the cat..?.?.
Men seek stranger sins or more startling obscenities as stimulants to
their jaded sense. They try to stab their nerves to life, if it were
with the knives of the priests of Baal. They are walking in their sleep
and try to wake themselves up with nightmares.”
The lack of outrage among the organizers of and participants in the
Grammy Awards is revealing. When Minaj walked the red carpet accompanied
by someone dressed as the pope, the television hosts commented on her .?.?.
dress. Anti-Catholicism is one of the last acceptable prejudices. A
music star mocking Muslims or Hindus would presumably get a different
reception.
This is not only true in the entertainment world. During the recent
controversy over the federal contraceptive mandate on Catholic
institutions, it was impossible for some in the media to even see the
problem. Since the majority uses contraceptives, why should anyone care
what the male-dominated, celibate Catholic hierarchy thinks? To hell
with moral theology or freedom of religion. The Catholic church, in this
view, is backward, out-of-touch and in desperate need of progressive
regulation.
How did anti-clericalism become permissible in polite liberal
society? That is a large topic. But one reason is probably the
cultural isolation of the knowledge class. A New York-based journalist
may have little daily contact with people who are offended when Notre
Dame is forced to pay for abortion-inducing drugs. An L.A.-based
entertainer may never encounter anyone who is deeply disturbed by
anti-Catholic stereotypes. These cultural figures inhabit Minaj land,
where religion is repression, bishops are ludicrous and sacrilege is
entertainment.
These views are not thoughtful or serious. But when it comes to
bigotry, it is possible to be pathetic and dangerous at the same time.
Nicki Minaj has demonstrated it. |